In the modern dance-music world, you'd be hard-pressed to find a DJ more prolific than Deadmau5 (pronounced "Dead Mouse," pseudonym for Joel Zimmerman). Since debuting in 2006, the Grammy-nominated Canadian has found time to fit in eight albums, scores of singles and scads of remixes, constant world touring, and an iPhone application that allows users to remix exclusive Deadmau5 tracks on the go. Releases like Random Album Title and For Lack of a Better Name suggest he's been too focused on creating content to think much about labeling it.
Random - his third LP this year alone - brought him to the Theatre of Living Arts on Sunday night. And although it was his second appearance at the venue this year, many in the sold-out audience might not have known what to expect. Since Get Scraped in 2006, Deadmau5's brand of electronica has leaned most heavily on the mesmerizing thump and strophic grooves of the house subgenre. But it has continually evolved through touches of Jamaican dub and British dubstep, contemporary French electro and neoclassical minimalism, '70s funk riffs and Nintendo scores circa 1989.
But even then, it was only a matter of one form of entertainment beating the other. The pulsating mass of sweat-drenched bodies and neon glowsticks on the floor was just as fascinating as the sounds and sights onstage.
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